week 198 ~ catch a moment and hold it in your hand

catch a moment and hold it in your hand
this isn’t something everyone could do
and though things haven’t work out as you planned
you’ve had the fortitude to see them through
the glass may be half empty or half full
but does it really matter now you’re here
loss doesn’t have gravitational pull
so leave it on the shore don’t draw it near
your boat is ready now it’s time to go
you’re ready too though you can’t quite believe
that’s true you can’t deny it either so
take a deep breath and bet on your reprieve
it seems the whole world is singing you on
look around once push off it’s time you’re gone

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Written by mairmusic

July 26, 2012 at 5:17 pm

Posted in July, sonnet

Tagged with faith, hope, leaving, poetry, salvation, split

6 Responses

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Quite like that idea of holding time in your hand…albeit for just a moment. :-)

slpmartin

July 26, 2012 at 5:24 pm

Reply
- I love the speeds of time. Always easier to get things done on a slow-time day.
  
  mairmusic
  
  July 26, 2012 at 10:22 pm
  
  Reply
Time to move on … “loss doesn’t have gravitational pull” … That’s stunningly put. And, yes I too like the idea of holding time in your hand. Sounds poetic, but is practical. Taking control.

Wonderful! Enjoyed much.

Jamie Dedes

July 27, 2012 at 7:42 am

Reply
- Thanks, Jamie, glad to read your comments here again (:
  
  mairmusic
  
  July 27, 2012 at 8:37 am
  
  Reply
amazing poem marilynn. i will try it :)

Sharmishtha Basu

July 27, 2012 at 12:52 pm

Reply
- Taking time in hand can be very freeing.
  
  mairmusic
  
  July 27, 2012 at 1:26 pm
  
  Reply

Who am I?

A mandolinist, a bandolimist, a writer, a photographer, a wannabe Brasileira. Check my webpage for information on my music and my sometimes life in Rio.

What is this?

I have made a plan for this year, beginning on my birthday- October 16, 2008 - to keep creativity in focus in my daily life, spontaneously, reflectively, and with intention, by setting in motion several series of small events. Every day I will take a photo and record a thought. Every week I will write a sonnet and photograph myself in the context of my life. And I will post it all here. Maybe not every day, but I will maintain the schedule of each series and post as often as I can. I think this will be fun, may be interesting, and will result in a considered year of small moments stolen from a busy life and strung together to make... who knows? At this point it's just a plan. Wish me luck~ here goes!

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“Year 2″ begins– so what’s changing?

I have completed a year of this blog-- amazing! And I've decided to continue on, because this document has become a treasured reflective spot in my life. There will be some changes for "Year 2," beginning on my birthday, October 16, 2009. I'll expand the options for my weekly poem beyond sonnet to add some other forms-- rondeau or triolet, possibly villanelle. I just added the decima in late January. And in August I am adding the pantoum. Definitions will appear below as the forms enter this page. I'll continue to post a photo daily, but I may post several pictures taken on one day over the course of a week if I have an interesting series. I may even post an old photo if I'm writing about something I'm thinking back to. I'll continue to have fun with this project & I hope you will too. Thanks for reading!

“Year 3″

For Year 3 I tried some changes, including other people in the self-portraits that accompany my poems, adding "Musical Sundays" to post mp3s of my music, but these petered out in a few months. This is simply a place for my daily thoughts & photos, and weekly poems in the forms I love. Onward...!

The material on these pages belongs to me

Everything published here was created especially for this project and is owned and copyright by me. When the project is complete I may do something concrete with some of it. So enjoy, but please, if you want to share more than a quote or two send people here, don't displace my work from its context or authorship.

What’s a sonnet?

A sonnet is a 14-line iambic pentameter poem with a unique and characteristic rhyme scheme. They have been written in Europe and England for centuries, and usually combine viewpoint and reflection in a personal yet universal way. I call mine blank-verse sonnets and try for a simple casual scan that observes yet obscures the form. Inspirations are the American sonnets of e. e. cummings and Edna "Vince" Millay.

What’s a villanelle?

A villanelle is an early French form with 19 lines using only 2 rhymes, traditionally broken into 6 verses. It's kind of obsessive, with lines 1 & 3 repeating alternately, the 4th time as lines 18 & 19. The lines can be any length, but don't seem to vary within a poem, and subjects include love, loss and challenge. Dylan Thomas, Elizabeth Bishop and Sylvia Plath all wrote them, and from the minute I typed villanelle in "Year 2 begins" I was itching to try it out because I've never written one. My first appear in Weeks 53 & 56. I've run some verses together, as many modern writers have done, for continuity and a cleaner line.

What’s a rondeau?

A rondeau is a form of medieval poetry that pre-dates the villanelle and also uses only 2 rhymes. The earliest come from an 8-line song form with 2 lines of music that repeat-- line 1 as 4 & 7, and line 2 as 8, rhyming the rest in a characteristic pattern. The result is a sturdy little poem that makes its point thoughtfully, and less obsessively than the villanelle, perhaps because the generating couplet is unrhymed, and the lines don't need to be the same length, just able to be sung or spoken in the same amount of time. The first ones appear in weeks 55 & 57. Sometimes the poetic form, sans music, is called a triolet.

What’s a decima?

A decima is an early 10-line Spanish poetic form, with a distinct break after the first 4. It uses an 8-syllable line and has an unusual but characteristic rhyme scheme. It's also a 19th-century form of improvised Cuban song so I thought it would work well in this blog format. My first appear in weeks 66 & 69.

What’s a pantoum?

A Malaysian form from the 15th century-- how exotic! It's a series of quatrains, w/ lines 2 & 4 repeating as lines 1 & 3 in the next. The last quatrain also uses lines 1 & 3 from the first quatrain, with the first line ending the poem. So every line is used twice. My first one is week 95.

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